This article was published on the blog of 'It's History Podcasts': http://www.historyisnowmagazine.com/blog/2014/9/1/colonial-repression-at-its-worst-conrad-and-the-belgian-congo#.VB7mbznU6FI=
‘Going up that river was like travelling back to the earliest beginnings of the world, when vegetation rioted on the earth and the big trees were kings. An empty stream, a great silence, an impenetrable forest. The air was warm, thick, heavy, sluggish… The broadening waters flowed through a mob of wooded islands; you lost your way on that river as you would in a desert, and butted all day long against shoals, trying to find the channel, till you thought yourself bewitched and cut off for ever from everything you had known once – somewhere – far away – in another existence perhaps… And this stillness of life did not in the least resemble a peace. It was the stillness of an implacable force brooding over an inscrutable intention. It looked at you with a vengeful aspect.’
‘Going up that river was like travelling back to the earliest beginnings of the world, when vegetation rioted on the earth and the big trees were kings. An empty stream, a great silence, an impenetrable forest. The air was warm, thick, heavy, sluggish… The broadening waters flowed through a mob of wooded islands; you lost your way on that river as you would in a desert, and butted all day long against shoals, trying to find the channel, till you thought yourself bewitched and cut off for ever from everything you had known once – somewhere – far away – in another existence perhaps… And this stillness of life did not in the least resemble a peace. It was the stillness of an implacable force brooding over an inscrutable intention. It looked at you with a vengeful aspect.’
The human condition has always embraced the allure of
adventure; for Charles Marlow, the intrepid protagonist of Joseph Conrad’s
celebrated novella, ‘Heart of Darkness,’ this fascination with the unknown
manifests itself in an urge to command a steamboat down the mighty Congo River.
It reminds him of ‘an immense snake uncoiled,’ and he recalls that ‘it
fascinated me as a snake would a bird – a silly little bird.’ The ensuing tale
is a damning exposition of the corruption and insatiable greed of colonialism,
and of mankind’s capacity for savagery. Yet this story is rooted in historical
fact: it stems from Conrad’s own disillusionment whilst working on the Congo
River in 1890, and Marlow is thought to be his alter ego.
In 1876, King Leopold II of Belgium hosted the Brussels
Geographical Conference, aiming to garner support for sowing seeds of civilisation
amongst the indigenous people of the Congo. He advocated the creation of an
International African Association, under whose umbrella various countries and groups
would collaborate: it would be the purveyor of progress to the benighted
natives of Central Africa. Leopold was instated as its first chairman, and,
whilst his intentions were ostensibly philanthropic, in reality, he used his authority
to further Belgian interests in the region.
At around the same time, Henry Morton Stanley – famous for
locating the Christian missionary, Dr Livingstone – set out to explore the uncharted
territories of Central Africa and to trace the Congo River to the sea. He
discovered a region replete with natural resources and ripe for development,
yet British financiers were lukewarm about his findings. In King Leopold,
however, he found a zealous leader who required an agent to expedite the establishment
of a Belgian presence in the Congo. Leopold’s de facto hegemony over the area
was confirmed at the Berlin Conference in 1884, where fourteen European states
convened to carve African territory into national possessions. The Congo Free
State was proclaimed the following year; unusually for an overseas colony, it
did not belong to a country, but was instead Leopold’s private fiefdom. Its
population was about to experience the ruinous consequences of an ‘enlightened’
man’s unfettered power.
Leopold began swiftly to assert his authority by funding
railway construction to facilitate exploration, and challenging the troubling existence
of Arab slave gangs, led by the formidable Swahili-Zanzibari dealer Tippu Tip, along
the Lualaba River. Leopold had pledged to tackle African slavery at the Belgian
Conference, but the gangs’ presence in the north-east also constituted an
intolerable threat to the economy, for each labourer or portion of ivory
claimed by the traders detracted from the Belgian regime’s power. After several
years of tense co-operation, open conflict broke out between the unhappy
bedfellows in 1892, and the Arabs were ultimately subdued and crushed.
Leopold promulgated various decrees which stifled free trade
and curtailed the natives’ rights, until these subjugated citizens were little
more than serfs. He also established the Force Publique: a loyal private army
of indigenous soldiers and European officers, which enforced his rule with breathtaking
brutality. The region offered a cornucopia of exploitable materials, notably
ivory and rubber, and although demand for the latter significantly increased
with the advent of motor cars and inflatable bicycles tubes, it was around the
ivory trade that Conrad centred his book.
Marlow is confronted by the reality of colonial oppression
soon after his arrival at his Company’s station. In a narrow ravine nearby, he
stumbles upon ‘black shapes… in all the attitudes of pain, abandonment, and
despair.’ It is self-evident that the labourers have come to this place to die:
‘They were not enemies, they were not criminals, they were nothing earthly now
– nothing but black shadows of disease and starvation, lying confusedly in the
greenish gloom. Brought back from all the recesses of the coast in all the
legality of time contracts, lost in uncongenial surroundings, fed on unfamiliar
food, they sickened, became inefficient, and were then allowed to crawl away
and rest. These moribund shapes were free as air – and nearly as thin.’
Charged with relieving a company agent, Mr Kurtz, from his
station, Marlow ventures into the depths of the sprawling, primordial
wilderness on his steamboat. Mr Kurtz’s reputation precedes him: he is a remarkably
productive ivory trader who possesses ‘universal genius,’ and Marlow nurtures a
growing obsession to meet this enigmatic figure. At the end of his perilous
journey up river, he finds an individual wallowing in his own supremacy, and so
engorged with authority that he coerces the native people to revere him as a
god-like entity. Through his quasi-divine status, Kurtz obtains prodigious
amounts of ivory from the Congolese; yet lurking behind this glamour is an
egregious relationship of elaborate manipulation and viciousness, captured by the
gaunt heads on stakes that surround Kurtz’s dwelling.
Colonial cruelty and exploitation were just as dreadful in
reality. Appalling punishments were meted out to natives who failed to harvest
enough wild rubber to meet their quotas, including the burning of their villages
and the murdering and mutilation of their families. One of the most infamous
punishments carried out by Force Publique soldiers was to chop off the right
hand of a native in order to verify that he had not been squandering his
resources on hunting and had instead been actively implementing Belgian
authority. Photographs from the era attest to this perverse discipline: in one
image, Congolese stare bleakly at the camera, each consciously bending the
remainder of their arm inwards; in another, two impassive militiamen grasp severed
hands: grotesque tokens of their dominance. Famine, disease and exhaustion were
other major killers: they stalked the country, seizing first upon the elderly
and weak labourers, before welcoming the able-bodied into their chilling
embrace. Although it is impossible to ascertain the true human cost of
Leopold’s avaricious and merciless regime, many estimates place the death toll
in the region of ten million.
This flagrant indifference towards human life inflamed
international opinion, and ‘Heart of Darkness’ contributed to this outburst of
moral revulsion. Leopold might have been able initially to conceal the hideous
underbelly of his regime, but by the turn of the century, criticism was
mounting. The British government was compelled to establish an investigation
into the reality of life under Leopold’s administration, the findings of which
were published in the 1904 Casement Report. Roger Casement, a British diplomat
and human rights activist, had listed Belgian atrocities meticulously, and an
interview with a native illustrates the rampant abuse:
‘We had to go further and
further into the forest to find the rubber vines, to go without food, and our
women had to give up cultivating the fields and gardens. Then we starved. Wild
beasts – the leopards – killed some of us when we were working away in the
forest, and others got lost or died from exposure and starvation, and we begged
the white man to leave us alone, saying we could get no more rubber, but the
white men and their soldiers said: “Go! You are only beasts yourselves; you are
nyama (meat).” We tried, always going further into the forest, and when we
failed and our rubber was short the soldiers came up our towns and shot us.
Many were shot; some had their ears cut off; others were tied up with ropes
round their neck and bodies and taken away… Our chiefs were hanged and we were
killed and starved and worked beyond endurance to get rubber.’
The report engendered further outrage at the plight of the
Congolese, and also triggered the foundation of the Congo Reform Association, a
movement which counted Conrad, Mark Twain and Arthur Conan Doyle among its
notable supporters. Leopold’s position was becoming increasingly untenable, and
he eventually succumbed to international pressure by conceding the Congo Free
State to the Belgian government in 1908. Yet it was not until 1913 that the
Congo Reform Association officially disbanded: a reflection of the Belgian
government’s reluctance to investigate or even acknowledge the crimes perpetrated
under Leopold’s regime. When considering the abhorrent and systematic abuse of
the Congolese, it seems therefore apposite to end with Kurtz’s final, ambiguous
yet visceral, exclamation before he died: ‘The horror! The horror!’
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